A.
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2 Phil Lane
Fortitude
Valley, 4006
Brisbane, QLD.
Find us on
Google Maps.
PO Box 1100
Fortitude
Valley, 4006
QLD, Australia.
+61 7 3161 9993
or Letters(at)
TheLetterD.com.au
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Constructed using the full range of ‘bricks’ available in FontStruct, Font Duplex is a typographic experiment in legibility – as we restricted each character to only two bricks.
Now available on FontStruct. © The Letter D.
The Letter D will be taking a whole week off from December 24 to January 4. Crazy huh?
Dan Pike has presented his design influences and ideas at a guest lecture for Shillington College’s part-time graphic design students.
The website has taken a brief hiatus with a bundle of new projects underway, including an identity refresh for Metropolitan North School Sport; a name, identity and collateral suite for a sustainable property services business; and a number of other updates – so stay tuned.
Dan Pike was asked to talk about The Letter D’s print-based projects for the Queensland College of Art’s second year Print students – and so the whole lecture was centred around the studio’s ongoing work for Fine Print.
The August issue of Australian Creative features an interview with The Letter D’s founder Dan Pike.
Dan Pike has presented his design influences and ideas at a guest lecture for Shillington College’s full-time graphic design students.
Font Stencil, originally built for a Flash vector library from a square and a quarter of a doughnut, is now available from FontStruct as a screen-based pixel variant. © Dan Pike.
While creating the full signage suite for Lightspace a block typeface presented itself within the exposed blockwork walls onsite, which we’ve used as a bold contrast to the tubular identity, drawn in Font Route.
Using FontStruct’s engine Font Theo Fine’s upper-case was altered, bevelling the corners of each block, with various symbols revised and the toilet pictograms added.
The typeface has so far been used on the Lightspace website and various collateral.
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Font Space, LSS, TLD, Typeface
Dan Pike was asked to present his design influences and ideas at a guest lecture for the Queensland College of Art’s second year Typography students.
Later in the year Melbourne-based designers Stephen Banham and David Pidgeon will present so the students should be in for a treat.
The whole Font Pixel family came together over the Easter break, with a bold weight, small caps, oblique (italics) and a set of old-style (non-lining) numerals added – and to top it all off, the team at FontStruct have given it ‘Top Pick’ status…
As Trade Gothic (the typeface Font Pixel was based on) lacks a true italic, an oblique version was created, which was heavily influenced by Unibody Italic from Underware – who mastered the illusion of incline using vertically stacked pixels.